Beginning his essay, André Bazin dives right into the practice of embalming, how ancient Egyptians used to mummify bodies and keep them. Influential Theorists: Andre Bazin – The Ontology Of The Photographic Image. andrebazincat. Andre Bazin is undoubtedly a famous figure in. “The Ontology of the Photographic Image” examines how the plastic arts preserve humans and reality through representation. Photography.

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Santosh Kumar Korthiwada Instructor: The artist and his genius are not present in photography like in painting. Historiography This is what Walter Benjamin argued about photography and film. This objective production affected our psychology of the image. Notify me of new comments via email. They are still magical because they still create worlds.

Influential Theorists: Andre Bazin – The Ontology Of The Photographic Image

They construct objectivity and realism through mechanical reproduction. Photography presents itself as objective and real. Remember me on this computer. Painting could not escape the subjectivity of the artists phootgraphic true likeness could not be achieved through the human hand. Post was not sent – check your email addresses!

But in the s, photographs of dead bodies were used like Egyptian statues as substitutes for dead bodies. The object becomes photograph and photograph becomes the object. He thinks that what makes painting inferior is the excessive struggle onotlogy the artist, with so much hands-on involvement to make the painting as close as possible to reality and photography on the other hand is so successful in re-producing reality without much intervention of man.


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Your email address will not be published. It should be noted however that Bazin invests far too much faith in the technical process of developing film as an objective and not subjective process. However I believe that this point is too harsh. From statues, palaces, portraits to tombs influential men have commissioned and produced art to represent themselves and the world they live in.

In ancient Egypt the plastic arts, like statuary, were substitutes for dead bodies. Help Center Find new research papers in: However I would agree with your statement: Photography tricks us because its mechanical nature seems objective and reproduces the model.

André Bazin: The Ontology of the Photographic Image | Santosh Korthiwada –

Bazin may imge argued, however, that the counter-position — that photography is not objective — incorrectly translates his proper position.

Bazin argues that painting shows a human touch unseen in photography. Photography did not perfect the physical process color, etc. This is what Walter Benjamin argued about photography and film.

It was meant to awaken people from a false reality and a false consciousness. The opposite is true for Benjamin.

Jamie L. Brummitt, PhD

Just another Sites at Lafayette College site. However, it is my opinion that though, Bazin generalized mummy complex to humankind, he himself was somehow fascinated with the concept of human immortalization after death and the various ways people tried to achieve it bszin painting, sculpture etc. He compares this practice to the birth of the plastic arts.

You are commenting using your Twitter account. Realism strips bare those preconceptions which, to Bazin, we accumulate through the passage of time like dust settling on furniture. For Bazin, the tricks of photography and film have no moral affects. And Bazin believes that this reproduction is treated, commonly, as if it is the object. You are commenting using your WordPress. In the fifteenth century, Western painting turned from a concern with spiritual realities and aesthetics to one in which spiritual expression is combined with an imitation of the outside world that is as close as possible to reality.


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Influential Theorists: Andre Bazin – The Ontology Of The Photographic Image – The Motley View

Andre Bazin is undoubtedly a famous figure in film criticism and film theory. Bazin continues to explain that the desire to see reality, though it is merely an illusion created via painting, is a mental need and realism in art is caught between the aesthetic and a deception aimed at fooling the eye. Reblogged this on panyingfei. The cart refers back to the painter and his paint. Probably, his worsening health condition and his immense love for photography and cinema drove him into a philosophical contemplation about death and reach a conclusion that photography is the last word in argument with death.

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